The first one is that you can use the brush designer with only some of the brush types. I have to confess, I got a bit confused at times, and I figured this is because a couple of reasons. So that's a good addition for users of previous versions. Something new in ArtRage 6 that wasn't there before is that you can add volume to your Custom Brush strokes, or use any Custom Brush as an Eraser. It's a great thing there's the Brush Designer, that'll let you tweak and create your own brushes. It depends on what your preferences are, but my point is I felt ready right from the get go.Īfter I spent some time with the brushes, I wanted to play with the brush engines and their parameters. This can be, of course, a matter of taste or habits. Sometimes I have to spend a lot of time initially tweaking the brushes in other programs. They felt painterly, with nice pressure sensitivity and blending capabilities. My immediate impression while carelessly testing the brushes was how good they felt right from the start. It's like opening new art supplies and just making random strokes with them to feel that first sparkle of newness, before you get serious and analytical. It's just such a joy to open a program for the first time and have a feel for it. The first thing I always do is to just play with the brushes. It's so nice to see developers actually thinking about this stuff! Artrage 5 custom brushes pro#I love this! When you're painting in a small pen display, like the 13" Cintiq Pro I have, you need this kind of function. One other thing I have to mention is the fact that if you have a panel open over your canvas when you're painting, it disappears temporarily while you make your stroke. Also, for dark themed UI fans, there's the "Lights Out" option, to turn UI elements dark. But if by now you're too familiar with docking panels to try something different, there's the Docking mode as well. It's nice looking, straight-forward, and feels artsy but current at the same time. Well, let me put it simply: it feels great! Their "classic" mode is their original one, and it's very comfortable and unobtrusive, with convenient toggle buttons for panels and their signature tool palette and color palette corners. And since I haven't tried it before, I didn't know how the experience would be. ArtRage has been unique in its UI since it first came out and I've always been intrigued by it. It's not just a way to get around tools, I can actually "feel" the difference between programs, just as much as if I was using different grips on a pen, or hairs in a brush. ArtRage 4.I always insist in the importance of the UI/UX of a program. The limitations of this program are almost entirely due to my talent level and not any shortcoming of the product. I'm like a kid in a candy store trying to figure out which brushes and settings to use next. You can tell the value of a product when it keeps surprising you with all the extra things it can do. This can be seen with the oil paints that are thicker, especially in the corners where I wish the transitions were a bit smoother.ĭon't let those things turn you off. Another item on my wish list is to be able to create my own brush tip shapes and add some randomness to the strokes so they don't look so uniform. The brush preview and settings sometimes make it hard to see the subtle nuances that you may be trying to dial in to your brush. There are a couple of little things that keep me from giving it a five-star rating. I can't believe the program is so cheap for what it offers, and there are versions for iPad and iPhone. One of the neat features is that you can use reference images or other imagery for your paintings. It handles layers and blending like a champ and the ability to add shadowing to certain strokes is very nice. The interface is clean and customizable so you can put everything you don't need out of the way and just paint. It has so many natural-feeling brushes and options that you'll love. ArtRage 4.5 is a painting program that's worth checking out.
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